The Galaxy Playlist

August 22nd, 2005

Filling a Request

Composer's name is listed where notable (i.e. Classical Performance, Jazz Performance).

For more information on any of the rock, pop and Jazz music featured on this program, I frequently utilize AllMusic, an excellent free database holding a huge plethora of information about music and the artists that make it.

Composer Performer Title Genre Label Notes
Interpol C'mere Rock, Modern Maverick, 2004
Slowhand
The Smiths Accept Yourself Rock, Post-punk/Indie/'80s Rough Trade, 1984 Accept Yourself and Girl Afraid were first made available on the Hatfull of Hollow singles/BBC performance compilation. What Difference Does It Make was released as a single in January of '84, prior to the release of their first album, and then was later rerecorded with a different producer, which is what we heard here.
Girl Afraid Rough Trade, 1984
What Difference Does It Make Rough Trade, 1984
The Mamas and the Papas Monday Monday Pop, '60s MCA, 1966
I Saw Her Again Last Night
The Cyrcle Paul Simon Red Rubber Ball Pop, '60s Columbia/Sony, 1966
The Carpenters Superstar Pop, '70s A&M, 1971
America Don't Cross The River Pop, '70s Warner Bros., 1973
Igor Stravinski
(1882 - 1971)
Hillary Hahn (solo violin), -w- The Academy of St. Martin In the Fields, Sir. Neville Marriner, cond. Concerto for Violin and Orchestra Classical, 20th Century Sony Classical, 2001 Composed in 1931 for violinist Samuel Dushkin
Patsy Cline San Antonio Rose Country, Classic MCA, 1961
So Wrong MCA, 1962
Why Can't He Be You MCA, 1962
Nirvana Territorial Pissings Rock, "Grunge" Geffen, 1991
Lithium
Smells Like Teen Spirit
Ned's Atomic Dustbin Grey Cell Green Rock, Post-Punk/'90s Sony/Columbia, 1991
Soundgarden Limo Wreck Metal/"Grunge" A&M, 1994
Like Suicide
The Deftones Good Morning Beautiful Metal Maverick, 2004
Bloody Cape
System Of A Down Revenga Metal American, 2005

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Last Update: September 12th, 2005

Email: saxman@siu.edu

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