Composer's name is listed where notable (i.e. Classical Performance, Jazz Performance).
For more information on any of the rock, pop and Jazz music featured on this program, I frequently utilize AllMusic, an excellent free database holding a huge plethora of information about music and the artists that make it.
| Composer | Performer | Title | Genre | Label | Notes |
|---|---|---|---|---|---|
Dexter Gordon |
It You or No One |
Jazz, Post-Bop |
Blue Note, 1961 |
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Charlie Parker |
Just Friends |
Jazz, Bop |
Mercury/Verve, 1949 |
Performed with a string section that included Mitch Miller, who would later become well known for the Sing Along With Mitch television show and series of recordings |
|
April In Paris |
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Theolonius Monk |
Well You Needn't |
Jazz, Bop |
Blue Note, 1947 |
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Misterioso |
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Miles Davis, -w- Julian "Cannonball" Adderly, John Coltrane, Bill Evans, Paul Chambers, Jimmy Cobb |
So What |
Jazz, Post-Bop, Cool |
Columbia, 1959 |
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Paul Hindemith |
Itzhak Perlman, violin, -w- David Garvey, piano |
Sonata, Op. 11 No. 1 in E Flat |
Classical, 20th Century, Expressionism |
Columbia Red Seal, 2004 |
Recorded in 1964, was to be Perlman's first recording until the label decided that Perlman would be better featured in larger scale works; the recording went unreleased until 2004. Paul Hindemith was a noted German violinist, composer, teacher and theorist who championed the work of Schoenberg and Webern. He was boycotted for a while by the Nazis in the mid-30s, and their pressure eventually resulted in his relocation to the United States, and later to Switzerland after WWII. |
Electric Light Orchestra |
Telephone Line |
Rock/Pop, '70s |
Jet, 1976 |
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Do Ya |
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The Bee Gees |
Run To Me |
Pop, '70s |
RSO, 1972 |
These two songs illustrate the manner in which the Bee Gees morphed their style from a more singer/songwriter-based style to the disco style that earned then their greatest popularity |
|
You Should Be Dancing |
Pop/Disco, '70s |
RSO, 1976 |
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Interpol |
C'mere |
Rock, Modern |
Maverick, 2004 |
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Take You On A Cruise |
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The Beach Boys |
Don't Worry Baby |
Pop, 60s |
Capitol, 1964 |
I Get Around was the Beach Boys' first #1 hit in 1964, and demonstrated Brian Wilson's growing songwriting and arranging abilities, while Don't Worry Baby, released later that year, has been covered by artists ranging from BJ Thomas to Bryan Ferry. |
|
I Get Around |
Capitol, 1964 |
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Good Timing |
Pop, '70s |
Caribou, 1979 |
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Joy Division |
Leaders of Men |
Rock, Post-Punk/New Wave, '70s |
Enigma/Quest, 1978 |
Transmission was recorded in 1979, but not released until after singer Ian Curtis' death in 1980. |
|
Transmission |
Qwest, 1981 |
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She's Lost Control |
Factory/Quest, 1979 |
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Alison Krauss and Union Station |
My Poor Old Heart |
Bluegrass, Contemporary |
Rounder, 2004 |
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|
Alison Krauss and the Cox Family |
Walk Over God's Heaven |
Bluegrass/Gospel |
Rounder, 1991 |
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|
Gillian Welch, David Rawlings |
Alison Krauss and Union Station |
Wouldn't Be So Bad |
Bluegrass, Contemporary |
Rounder, 2004 |
|
|
Metallica |
Battery |
Metal, '80s |
Elektra, 1986 |
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Frayed Ends of Sanity |
Elektra, 1988 |
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