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Composer's name is listed where notable (i.e. Classical Performance, Jazz Performance).
Links are to Artist's Home Page, if one exists, or to a quality source of information. Otherwise, link is to Yahoo Search for information about the composer, performer, or other related information.
| Manhattan Transfer | 10 Minutes 'til the Stranger Comes | Jazz, Contemporary | |||
| Joe Taylor | Queen of Pain | Jazz, Contemporary | |||
| Georg Friedrich Händel | Berlin Radio Symphony Orch., Helmut Koch, dir. |
Water Music Suites: #1 in F Ma, #2 if D Ma, #3 in G Ma |
Classical, Baroque Era | Curb, 1995 |
1685 - 1789; considered, along with J.S. Bach, to have brought the Baroque era to a close. Another Handel Page |
| Pink Floyd |
Dark Side of the Moon (album) Speak to Me Breathe On the Run Time The Great Gig In the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse |
Rock, Classic | Grammophone/Capitol, 1973 | ||
| Denzil Best | Miles Davis -w- Kai Winding, Junior Collins, John Barber, Lee Konitz, Gerry Mulligan, Al Haig, Joe Shulman, Max Roach | Move | Jazz, Traditional | Blue Note/Capitol | 1926 - 1991; Recorded 1/21/49; produced by Pete Rugolo; band included French Horn, tuba |
| N. Washington, V. Young | Miles Davis -w- John Coltrane, Bill Evans, Paul Chambers, Jimmy Cobb | Stella by Starlight | Jazz, Traditional | Columbia | Recorded 5/26/58 |
| Theolonius Monk | Miles Davis -w- Horace Silver, Percy Heath, Art Blakey | Well you Needn't | Jazz, Traditional | Blue Note/Capitol | Recorded 3/6/54; eng. by Rudy Van Gelder, Prod. by Alfred Lion |
| Miles Davis -w- John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones, Gil Evans Orch., Gil Evans dir. | "Round Midnight | Jazz, Traditional | Columbia |
Recorded 9/10/56 A Miles Davis Search |
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| Johnny Mercer, others | Miles Davis -w- Cannonball Adderley, Hank Jones, Sam Jones, Art Blakey | Autumn Leaves | Jazz, Traditional | Blue Note/Capitol | Recorded 3/9/58; eng. by Rudy Van Gelder, Prod. by Alfred Lion |
| Miles Davis | MD -w- Gil Evans Orch, Gil Evans, dir; Paul Chambers, Art Taylor | Miles Ahead | Jazz, Traditional | Columbia |
Recorded 5/10/57; MD plays flugelhorn A critical review of the Davis/Evans collaboration |
| Charles Ives | Moscow Philharmonic Orch., Dimitri Kitayenko, cond., Lawrence Leighton Smith cond. flutes. | The Unanswered Question | Classical, 20th Century | Sheffield Lab, 87 |
1874 - 1954; Considered to have foreshadowed work of later experimental composers; Recorded Aug., 86 Another Ives page The Danbury Perspective |
| Rev. Dreyfus Smith and the Wings of Faith Mass Choir | Holy Spirit | Gospel | Atlanta Intl, 1997 | Live recording | |
| Andre Crouch | Sweet Love of Jesus | Gospel | Light | ||
| Keith Green | When I Hear the Praises Start | Gospel | Pretty Good Records/Sparrow, 1977 | ||
| Hubbel/Golden | Sonny Rollins -w- J.J. Johnson, Horace Silver, Paul Chambers, Art Blakey | Poor Butterfly | Jazz, Traditional | Blue Note/Capitol |
Recorded 4/14/57 Another Sonny Rollins page |
| Cole Porter | Joe Lovano, orch. by Manny Alban | I've Got You Under My Skin | Jazz, Traditional | Blue Note/Capitol, 1997 |
Featured big band; album is tribute to Frank Sinatra Joe Lovano page -w- Quicktime or Avi video to download. |
| Igor Stravinski | BBC National Orch. of Wales, David Atherton, dir. | Rite of Spring | Classical, 20th Century | BBC Music | 1882 - 1971; considered one of the most influential composers of the 20th century; Recorded live, 8/22/94, Royal Albert Hall, London |
| Stevie Wonder | You're the Sunshine of My Life | Pop | Motown, 1972 | SW played most of the instruments | |
| Paul Williams, Roger Nichols | The Carpenters | Rainy Days and Mondays | Pop | A&M, 1971 | |
| Greg Osby | 2nd Born to Freedom | Jazz, Traditional | Blue Note/Capitol, 1996 | used as instrumental bed for outtro | |
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